翻訳と辞書
Words near each other
・ Togalu Gombeyaata
・ Togan
・ Togan Arslan
・ Togan Gökbakar
・ Togano Station
・ Togara Muzanenhamo
・ Togarashi
・ Togarhaouide
・ Togari
・ Togari (Japan)
・ Togari (manga)
・ Togari-Nozawaonsen Station
・ Togarioides
・ Togarmah
・ Togashira Station
Togatus Barberini
・ Togavai Stanley
・ Togaviridae
・ Togavirin
・ Togavirus 5' plus strand cis-regulatory element
・ Togawa
・ Togawa Station
・ Togay
・ Togba
・ Togba, Benin
・ Togba-Nah Tipoteh
・ Togbe Afede XIV
・ Togbe Agorkoli
・ Togbi Sri II
・ Togbota


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Togatus Barberini : ウィキペディア英語版
Togatus Barberini
Togatus Barberini, sometimes referred to as the ''Barnerini Togatus'', is a Roman marble sculpture from around the first-century AD〔Pollini, J. O. H. N.
"Ritualizing Death in Republican Rome: Memory, Religion, Class Struggle,
and the Wax Ancestral Mask Tradition’s Origin and Influence on Veristic
Portraiture’." ''Performing Death: Social Analyses of Funerary Traditions in the Ancient Near East and Mediterranean'' (2007): 237-85.〕 that depicts a full-body figure, referred to as a ''togatus'', holding the heads of deceased ancestors in either hand.〔Esdaile, Katharine A. "A Statue in the Palazzo Barberini." ''Journal of Roman Studies'' 1 (1911): 206-211.〕 It is housed in the Capitoline Museums in Rome, Italy.〔 Little is known about this sculpture and who it depicts, but it is speculated to be a representation of the Roman funerary practice of creating death masks.〔Wallace-Hadrill, Andrew.
"Harriet I. Flower. Ancestor Masks and Aristocratic Power in Roman
Culture. New York: Clarendon Press of Oxford University Press. 1996. Pp.
xvii, 411." ''The American Historical Review'' 104.1 (1999): 233-234.〕
== Speculation of Identity ==
Little is known about the identity of those depicted in the sculpture, but it is known that the type of shoes the middle figure is depicted to wear distinguishes them as a member of the Roman noble class.〔 From this small bit of information, many theories have risen in speculation of the true identity of the center figure, but little evidence has been provided to back up many of these claims and as such they remain only theories.
Recent research has lead to it being believed to represent a patrician senator, holding the heads of his ancestors. The head on the right is that of a famous general, which is evident thanks to the palm-tree support.〔 Furthermore, it is now known that the head and body of the middle figure do not, in fact, belong to each other, evident due to the marble of the head and body being of different types and colors (the head being a white marble and the body being a yellow).〔〔Gramberg, Werner. "TOMB OF POPE PAUL III FARNESE."〕 This is made more evident due to the the toga's finish from behind and the evidence of the restoration of the nose and ears.〔
According to some, the figure is supposed to represent Brutus, holding the severed heads of his two sons, while others claim that instead it is the portrait of a sculptor. Other still believe the prominent figure to be that of Julius Caesar,〔 while many simply claim that the figure is a unknown Roman senator.〔Spivey, Nigel, and Michael Squire. ''Panorama of the classical world''. Getty Publications, 2011.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Togatus Barberini」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.